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【登録タグ A-One MONTAGE Blue N TOHO EUROBEAT VOL.5 ヴォヤージュ1969 千年幻想郷 ～ History of the Moon 曲 越田Rute隆人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Named After You [ TAG Na BinyuP L-N Miku title] Music BinyuP/びにゅP Lyric BinyuP/びにゅP Arrange BinyuP/びにゅP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm8971372 http //www.nicovideo.jp/watch/sm8971372 Translations ■ Show/Hide Romaji totemo sasai na koto nanda ne nanimokamo utsurikawatte yuku koto onaji keshiki wo miteita kimi to boku mo itsunomanika hanarebanare ima kimi no namae wo tsubuyai te ie nakatta kimochi wo narabete arifureta kotoba ni kaete kuchizusamu yo chiisana melody nee, moo owari ni shitai nda koko wo guruguru mawaru no wa datte futari ga deatta kono sekai wa konnani mo kagayaiteru moo sabishiku nante nai yo donnani tooku hanare te mo kimi to wa itsumo doko ka de tsunagatte iru hazu da kara arigato itsumo gomen ne mada umaku wa ie nai kedo kimi to onaji kono sekai wo boku wa sotto iki te i masu 2009-12-13 Checked by soundares 2009-12-13 01 28 Generated automatically [部分編集] ■ Show/Hide Translation NamedAfterYou 2009-12-13 First Entry 2009-12-16 18 05 43 (Wed) Last update Trasnlated by soundares Title Named After You Lyric It s very trivial matter isn t it... How everything is changing. Even you and I who had been watching the same scenary are aparted away while in time (we never realized) とても些細なことなんだね 何もかも移り変わってゆくこと 同じ景色を見ていた 君と僕も いつの間にか 離ればなれ Now, murmuring your name, lineing up the feelings I couldn t say, changing them into ordinary words, I m letting_my_mouse_to_play(=going to sing) a little melody 今君の名前をつぶやいて 言えなかった気持ちを並べて ありふれた言葉に変えて 口ずさむよ 小さなメロディー Hey I like to end this now... Going around here(=this place) round and round. Because the world we two have met is as much bright as this. ねえ もう終わりにしたいんだ ここをぐるぐる回るのは だって二人が出会ったこの世界は こんなにも輝いてる (You know,) I don t feel lonely anymore. Even how far apart we will be, always, in some where, I must be connected with you so... もう寂しくなんてないよ どんなに遠く離れても 君とはいつもどこかで つながっているはずだから Thanks, and I m sorry for_the_always. I can t say it well yet but... this world that s same as yours... ...I quietly-gently live (this world) ありがと いつもごめんね まだうまくは言えないけど 君と同じこの世界を 僕はそっと生きています (You know,) I don t feel lonely anymore. Even how far apart we will be, always, in some where, I must be connected with you so... もう寂しくなんてないよ どんなに遠く離れても 君とはいつもどこかで つながっているはずだから Thanks, and I m sorry for always. I can t say it well yet but... this world that s same as yours... ...I quietly-gently live (this world) ありがと いつもごめんね まだうまくは言えないけど 君と同じこの世界を 僕はそっと生きています Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-12-16 18 05 43 (Wed) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/7487.html http //nicosound.anyap.info/sound/sm8971372 http //www.nicomimi.com/play/sm8971372 Sub video, PV, other fan made video in YouTube [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る (Information in this page is based on HatsuneMiku@Wiki) _
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OP,ED,キャラソン集 動画･音楽はニコニコ動画ですが、登録されて無い場合、二つあるうちの下を押すとにこさうんど(音楽だけ)で聴く事が出来ます。 OP http //www.nicovideo.jp/watch/sm5058847 http //nicosound.anyap.info/sound/sm5058847 【Bad Apple!!】東方幻想卿より、Bad AppleボーカルアレンジBGM/OP キャラソン http //www.nicovideo.jp/watch/sm6003500 http //nicosound.anyap.info/sound/sm6003500 【ラストリモート】東方地霊殿より、ラストリモートアレンジBGM/鎖月 雛キャラソン http //www.nicovideo.jp/watch/sm6999056 http //nicosound.anyap.info/sound/sm6999056 【緋色の風車 ～Moulin Rouge～】Sound Horizon/鎖月 聖キャラソン http //www.nicovideo.jp/watch/sm971048 http //nicosound.anyap.info/sound/sm971048 【SweetsTime】東方紅魔卿より、U.N.オーエンは彼女なのか？ボーカルアレンジBGM/黒キャラソン http //www.nicovideo.jp/watch/sm4458153 http //nicosound.anyap.info/sound/sm4458153 【記憶の系譜】東方VocalアレンジBGM/蒼キャラソン ED http //www.nicovideo.jp/watch/sm8128559 http //nicosound.anyap.info/sound/sm8128559 【White Lotus...】東方星蓮船より、感情の摩天楼ボーカルアレンジ
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Virus Taxonomy Scholarly Pubns? Arun Misra? ScholarlyPubns? ArunMisra? undefined undefined A.C. Pigou Journal Articles Palgrave Macmillan? A.C. Pigou? David Collard? PalgraveMacmillan? A.C.Pigou? DavidCollard? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics? Subjects-Literature&Fiction-WorldLiterature-UnitedStates-Collections&Readers? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Glauconites Form and Function (Current Trends in Geology Series, Vol 10) Scholarly Pubns? R. A. Srivastava? ScholarlyPubns? R.A.Srivastava? Substores-UnknownASINs-35 Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Mineralogy-General? Subjects-Science-General Neuropathologies of Speech B C Decker Inc? Donnell Johns? BCDeckerInc? DonnellJohns? undefined undefined Surgical Anatomy B C Decker Inc? John E. Healey? BCDeckerInc? JohnE.Healey? Substores-UnknownASINs-35 Subjects-Medicine-BasicScience-Anatomy? 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Efficient Information Use in Regional Policy Analysis and Forecasting Models (Discussion Paper Ser. No 123) Regional Science Research Inst? George I. Treyz? Benjamin H. Stevens? RegionalScienceResearchInst? GeorgeI.Treyz? BenjaminH.Stevens? Substores-UnknownASINs-35 Subjects-Science-General Michael Foreman's World of Fairy Tales Arcade Pub? Michael Foreman? ArcadePub? MichaelForeman? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-FairyTales,FolkTales&Myths-Stories? Agricultural Location Theory A Review and Bibliography of Theory and Applicatinos (Discussion Paper No 129) Regional Science Research Inst? Sharon Kellerman? RegionalScienceResearchInst? SharonKellerman? Substores-UnknownASINs-35 Subjects-Science-General Differential Assessment of Real Property As an Incentive to Open Space Preservation and Farmland Retention Regional Science Research Inst? Robert E. Coughlin? RegionalScienceResearchInst? 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Substores-UnknownASINs-35 Subjects-Science-General Landscape, Image and Design A Survey of Open Space Planners (Discussion Paper Series, No 77) Regional Science Research Inst? David Berry? Gene Steiker? RegionalScienceResearchInst? DavidBerry? GeneSteiker? Substores-UnknownASINs-35 Subjects-Outdoors&Nature? Competency-Based Orientation for Critical Care Nursing B C Decker Inc? Jo-Ell M. Lohrman? Sherry L. Kinkade? BCDeckerInc? Jo-EllM.Lohrman? SherryL.Kinkade? Substores-UnknownASINs-35 Subjects-Medicine-BasicScience? Subjects-Medicine-Nursing-Critical&Intensivecare? Subjects-Medicine-Specialties-EmergencyMedicine? Subjects-Professional&Technical-Medical-Nursing-General? Subjects-Science-Medicine-BasicScience? Subjects-Science-Medicine-Nursing-Critical&Intensivecare? Subjects-Science-Medicine-Specialties-EmergencyMedicine? The Perception and Valuation of Water Quality A Review of Research Method and Findings (Discussion Paper Ser. No 80) Regional Science Research Inst? Robert E. Coughlin? RegionalScienceResearchInst? RobertE.Coughlin? undefined undefined Plastic and Reconstructive Surgery of the Head and Neck Proceedings of the Fifth International Symposium B C Decker Inc? Fred Stucker? BCDeckerInc? FredStucker? Substores-UnknownASINs-35 Subjects-Reference-General? Some Experiments in Quantitative Measurement of Landscape Quality (Discussion Paper Series ; No 43) Regional Science Research Inst? Carla B. Rabinowitz? RegionalScienceResearchInst? CarlaB.Rabinowitz? Substores-UnknownASINs-35 Subjects-Outdoors&Nature? A Pocketful of Stories Trafford? Siegfried Bucher? Trafford? SiegfriedBucher? Substores-UnknownASINs-35 Subjects-Literature&Fiction-ShortStories-General? Maps of Heaven (Notecubes) Abbeville Pr? AbbevillePr? undefined undefined Human Embryology Mosby-Year Book? Fraser? Mosby-YearBook? Fraser? undefined undefined Substores-UnknownASINs-35 洋書
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Revolution EX play through by izumin part1 http //www.nicovideo.jp/watch/sm4685957 part2 http //www.nicovideo.jp/watch/sm4694178 part3 http //www.nicovideo.jp/watch/sm4695331 part4 http //www.nicovideo.jp/watch/sm4697075 part5 http //www.nicovideo.jp/watch/sm4704808 part6 http //www.nicovideo.jp/watch/sm4706607 part7 http //www.nicovideo.jp/watch/sm4715623 part8 http //www.nicovideo.jp/watch/sm4720810 part9 http //www.nicovideo.jp/watch/sm4721751 part10 http //www.nicovideo.jp/watch/sm4727170 part11 http //www.nicovideo.jp/watch/sm4727340 part12 http //www.nicovideo.jp/watch/sm4730028 part13 http //www.nicovideo.jp/watch/sm4736678 part14 http //www.nicovideo.jp/watch/sm4747400 part15 http //www.nicovideo.jp/watch/sm4747600 part16 http //www.nicovideo.jp/watch/sm4755743 part17 http //www.nicovideo.jp/watch/sm4760458 part18 http //www.nicovideo.jp/watch/sm4760781 感想・レビュー等 見た限り、稀に見る良ハックのようだ。レベルデザインはとても美しいし、何より隠し通路の隠し方が絶品。詰まりそうで詰まらない、分からなそうで分かる、このさじ加減。難易度も丁度良さそう。ハック作者さんにはぜひ子のハックを参考にして欲しい。 -- catnap222 (2008-09-22 15 20 23) テクニックがすごいWWW -- 名無しのアイルー (2010-07-31 23 17 24) 名前 コメント
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【登録タグ C Cold Wave おてんば恋娘 少女フラクタル 曲 柚木梨沙】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/mainichi-matome/pages/3088.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Dispatches from the gender battlefieldジェンダーの戦場からの報告書 拡散状況 関連ページ Dispatches from the gender battlefield ジェンダーの戦場からの報告書 0 Dispatches from the gender battlefield 2006,05,06 Sapio 5/10 By Masuo Kamiyama ジェンダーの戦場からの報告書 SAPIO 5/10 カミヤママスオ記 1 In 2003, Miyakonojo City in Miyazaki Prefecture, Kyushu, became the first municipality to recognize marriage between individuals of the same sex (or people of bisexual orientation). Citizens, businesses and educators were also obliged to end discriminatory treatment based on "sexual preferences." But after the defeat of Tatsuya Iwahashi in the city s mayoral election the following year, people began raising their voices in opposition. The controversy became moot when, in 2006, Miyakonojo merged with four surrounding towns and the law was dropped from the books. 2003年、九州地方宮崎県の都城市は、同性どうし(あるいは両性愛の方向性がある人々)の間の結婚を認める最初の自治体となった。 市民と企業、教育者はまた「性の嗜好性」にもとづく差別的な取り扱いをやめることを義務付けられた。 しかし翌年の市長選における岩橋辰也の敗北の後、人々は反対の声を上げはじめた。 論争は、2006年に都城が4つの周辺の町と合併したとき現実的意味を失い、この法律が条例から除外された。 2 Kuwana City in Mie Prefecture, meanwhile, might be home to the most extreme ordinance of all. Passed by the city assembly in 2002, it obliged businesses "at the earliest opportunity" to adopt a gender balance of employees; pay them equal wages; maintain an equal ratio of male-to-female managers; and apply the principle of "gender free" to all aspects of education and learning in the city s schools. It also prohibited "sexist" language. Like Miyakonojo, it was repealed earlier this year due to a merger between several municipalities. 2002年に市議会を通過し「最も早い機会に」企業に、被雇用者のジェンダーバランスを採用すること・両性に同額の賃金を払うこと・管理職の男女比を同じにし続けること、そして市の教育と学習のすべての場で「ジェンダーフリー」の原則を適応することを義務付けさせた。 また「性差別者」言葉を禁じた。 都城と同様に、数個の自治体との合併に伴い今年の早期に失効した。 3 The above instances, appearing in a series of articles in Sapio (5/10) under the headline "Gender free on the rampage," underscores a seldom-reported aspect of contemporary Japan efforts by feminists and others to re-orient people s perceptions toward gender equality, and the backlash it generates among those who say it is impractical, a horrendous waste of money -- 10 trillion yen by one reckoning -- and an absurd affront to millennia of Japanese tradition. 「暴走するジェンダーフリー」という見出しのもとのSAPIO(5/10)の一連の記事に現れる上記の実例は、現代日本の滅多に報道されない一面を強調する。ジェンダーの平等に対する人々の認識を再教育するためのフェミニストやほかの人々による努力、これは非現実的だという人々の間から生まれた反発、法外な金の浪費 -- ある試算によると10兆円 -- 、そして日本の数千年間の伝統へのばかげた侮辱である。 4 Kenzo Yoneda, 58, a former cabinet vice-minister and currently professor at Teikyo Heisei University, denounces the "Basic Law for a Gender-Equal Society," which was passed by the National Diet in 1999, during the tenure of the late prime minister Keizo Obuchi. 前内閣府副大臣にして現在帝京平成大学教授・米田健三(58)は、故小渕敬三総理大臣の在任期間中に1999年の国会を通過した「男女共同参画社会基本法」を糾弾する。 5 The looming "White Cultural Revolution" -- a euphemism for feminist-inspired rules and regulations -- is a threat to Japan s established order, warns Yoneda. Indeed, the social anarchy the new law is threatening to unleash, he suggests, evokes memories of post-revolutionary Russia under the Bolsheviks; Cambodia under Pol Pot s homicidal Khmer Rouge; or perhaps China, when the Red Guards ran rampant during its "Great Proletarian Cultural Revolution." 不気味な姿を現す「白い文化革命」 -- フェミニストの着想による規則と規定を意味する婉曲表現 -- は日本の確立された秩序に対する脅威である、と米田は警告する。 実際、この新しい法律が解き放とうと脅かしている社会的無秩序は、彼の示唆によると、革命後のボルシェビキ政権下のロシアや、ポルポト派の人民殺害クメールルージュのもとのカンボジア、またはもしかすると「無産階級文化大革命」の期間に紅衛兵が流行した時の中国を想起させる。 6 Yoneda raises this example The Ministry of Health, Labour and Welfare had arranged, via an affiliated organization, to distribute a sex education pamphlet, "The Love Body Book," to middle schools around the country. 米田はこのような例を取り上げる：厚生労働省は、外郭団体を通じて、性教育のパンフレット「ラブ ボディBOOK」を全国の中学校に配布するよう手配した。 7 The book contained the following passage "To give birth or not give birth. To make a baby or not make one... the decision is entirely mine." この本には以下の一節が書かれている：「産むか産まないか、 子供を作るか作らないか…これを決めるのはすべて自分」 8 This "freedom to give birth," mutters Yoneda, "reflects blind compliance with the tenets of feminism, in accordance with the abovementioned Basic Law for a Gender-Equal Society." この「出産の自由」は、「上述の男女共同参画社会基本法に従って、フェミニズムの信条への盲目的な服従をもたらすだけです」と、米田は不平を言う。 9 Yoneda issued an instruction to an official for the books to be withdrawn from the schools, but his order was initially refused. He finally got his way by going over the official s head to vice-minister Kamoshita of the Ministry of Health, Labour and Welfare. 米田は役人にこの本を学校から回収するよう指示を出したが、彼の命令は当初は拒絶された。 彼は結局、役人を飛び越えて厚生労働省の副大臣・鴨下のところにいくことで、目的を達した。 10 Citing another example, Yoneda writes that Chiba Prefecture, in an awkward attempt to comply with the Basic Law, passed an ordinance that obliges companies to make sure a requisite ratio of males to females are hired. But for construction firms in the prefecture, whose work forces are overwhelmingly male, such a law is impractical. Their solution was simple they placed "phantom women" on the employee rolls. 別の例を挙げようと米田は書く。千葉県は、『基本法』に従おうとするぎこちない試みの中で、男性に対し、ある必須な比率で女性が雇用されることを確実にすることを企業に義務付ける条例を通過させた。 しかし千葉県の、労働者は圧倒的に男性が多い建設会社にとっては、こんな法律は実行不可能である。 彼らの解決方法は単純だった：彼らは従業員名簿に「実体のない女性」を載せたのだ。 11 Wacky examples of the law s application are everywhere, even in unisex posters at rail stations warning against groping on trains. "It s strange to always portray women as victims of gropers," was its stated rationale. この法律の頭のおかしな適用例はいたるところにあって、列車での痴漢に対する警告をする、鉄道駅の男女の区別がないポスターにも見られる。 その論理的根拠として述べられたのは、「痴漢の被害者としていつも女性を描くことはおかしい」ということであった。 12 Well, counters Yoneda, it s certainly possible that a gent might be on the receiving end of a friendly fondle from a fellow commuter. But only in the rarest of cases. Applying the gender equality law in such an extreme case, he argues, is "totally detached from reality." 米田は反論する。まあ、同乗した通勤者からの友好的な愛撫に耐える側に男がなることは、確かにありうることである。 しかし本当に珍しい事例だけだ。 ジェンダーの平等の法律をこんな極端な事例に当てはめることは、「完全に現実からかけ離れています」と彼は唱える。 13 "This is a horrible law," Yoneda tells Sapio. "Unless it is repealed outright, or revised, its continued existence portends the imminent demise of Japan as a nation." 「これは恐ろしい法律です」と米田はSAPIOに語る。 「完全に撤廃されるか、改正されない限り、この法律の存続は今にも起こらんとする日本の国家としての崩壊の前兆となります。 14 (By Masuo Kamiyama, People s Pick contributor) May 6, 2006 (カミヤママスオ記、人々の選んだ寄稿者) 2006年5月6日 拡散状況 英語サイト http //linkfilter.net/?id=111727 http //transnews.exblog.jp/3731862 関連ページ WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：T 毎日新聞英語版から配信された記事2006年
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【登録タグ Black Magic Girl CRAZY BEAT SHOCK!! I K2E†Cradle つぅ 曲 柳の下のデュラハン】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*